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Tsukioka Yoshitoshi

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EVENT/PRINT COLLATERALS

A Contemporary Tribute to a Master of
Japanese Woodblock Printing"

Duration - 3 weeks

In this project:
Publication
Standee
Merchandise

A set of collaterals for an  exhibition at National Gallery of Modern Arts, Delhi for the Master of Japanese Woodblock Printing, Tsukioka Yoshitoshi.

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PROCESS

Typography

Colours

Moodboard

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Tsukioka Yoshitoshi (1839 - June 9, 1892) Also signed: Taiso Yoshitoshi, widely recognized as the last great master of Ukiyo-e, is regarded as one of the form's greatest innovators. Like many Japanese, while interested in the new things from the rest of the world, over time he became increasingly concerned with the loss of many outstanding things from the traditional Japan, among them the traditional woodblock print

CHOOSING AN
ARTIST

RESEARCH &
concept
development

CURATION AND CONTENT SELECTION

DESIGN AND
LAYOUT PLANNING

Production
and
execution

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PROCESS

Standees

Colours

Moodboard

Author (Body)

1 2
tsukioka yoshitoshi 1
layout 1
layout 2

Tsukioka Yoshitoshi (1839 - June 9, 1892) Also signed: Taiso Yoshitoshi, widely recognized as the last great master of Ukiyo-e, is regarded as one of the form's greatest innovators. Like many Japanese, while interested in the new things from the rest of the world, over time he became increasingly concerned with the loss of many outstanding things from the traditional Japan, among them the traditional woodblock print

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CHOOSING AN
ARTIST

RESEARCH &
concept
development

CURATION AND CONTENT SELECTION

DESIGN AND
LAYOUT PLANNING

Production
and
execution

mockup 2
mockup 6
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Typography

Latienne Pro  (Headings)

Tsukioka Yoshitoshi was a Japanese ukiyo-e artist known for his dynamic, dramatic, and often violent woodblock prints.

Colours

Moodboard

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“yo o tsumete
terimasarishi wa
natsu no tsuki”
-holding back the night
with its increasing brilliance
the summer moon
                        
                              -Yoshitoshi’s death poem

Standees

merchandise

exhibition Standee 1

Hand fans, known as sensu (folding fans) and uchiwa (rigid fans), hold deep cultural significance in Japan, symbolizing elegance, tradition, and status.
Fans serve both aesthetic and functional purposes, allowing visitors to take home a practical yet artistic souvenir. Their portable nature, affordability, and timeless appeal make them attractive to a wide audience, from art enthusiasts to casual visitors.

With more attention to his work the standees highlighting a few major parts of his paintings.

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exhibition Standee
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Author (Body)

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PROJECTS

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